Home Will Not Wait For Us

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“A woman soldier shouted…Didn’t I kill you?

 I said: You killed me…and I forgot, like you, to die.” 

— Mahmoud Darwish, In Jerusalem


My brother vomited blue Gatorade into the Dead Sea, 

abandoned a string of plastic bags along the highway

 

that cut through the desert. We joked in the back of the

minivan that, a millennia from now, archeologists

 

will study the remains, dedicate entire institutions 

to unraveling the divine mysteries of dehydration. 

 

In a hotel room overlooking the Mediterranean, I dream 

of summers spent running. Weaving between fir trees, 

 

barefoot, while human men barked like dogs, 

how we ducked down into the belly of a canoe  

 

to avoid capture, collapsed on the cafeteria floor 

while seventeen-year-olds with bullhorns draped flags  

 

around our shoulders. Kachol v’levan, hatzevah shel mi?  

This summer, I traversed a maze of olive groves  

 

and border walls, souvenir stands catty-corner 

to checkpoints where children with machine guns  

 

Whatsapp’ed their mothers for permission to come 

home to do laundry. How many American Jewish  

 

children spend their Julys watching pita bread burn 

on the hump of an overturned bowl, a denied passport  

 

signed in crayon crumpled in their fist? How many 

ancestors are mourning from Eden the lives  

 

their descendants took in their names?  

Maybe this is how the daughters 

 

of insurrectionists felt as their fathers  

stormed the capital. The shame-rage-grief 

 

of watching the same men who peeled 

our clementines and tended scraped knees

 

howling in the streets for another people’s annihilation.

Who will teach them that the world does not need to

 

belong to us for us to belong in it? I once wept outside

a Domino’s in Jerusalem while the buses didn’t run, 

 

parted ways with the child who grew up believing

that somewhere home was waiting for her. But that 

 

same girl stood on tiptoe to peer over the partition to

watch men dance while snot dried on her sleeve. 

 

She observed soldiers buying yogurt from

convenience stores with automatic weapons 

 

slung across their backs while the cashier blew her

gum and asked “paper or plastic” in English.

 

My father marches across the National Mall 

as I split dates with my thumbs in a Brooklyn 

 

brownstone, unearthing the pit with my teeth. 

He chants Am Yisrael Chai! and the IDF arrests

 

a nine-year-old for throwing rocks at a tank, 

bombing hospitals and bull dozing ancestral homes

 

to rubble. And suddenly, I’m standing in the doorway  

of a synagogue in Tzfat, forbidden from entering,

 

while my brother plays Angry Birds on his iPhone  

in a pair of basketball shorts. My homeland is a sea of salt

 

where nothing can survive, a metal detector over my 

tallit bag, impenetrable thresholds and desert ruins.

 

I know my history. So when my father rallies for Israel, 

home throws itself off a cliff. It writhes on the slab of earth

 

my ancestors carved in the dirt, molds in the bottom of

the bread bag, riddled with spores. I return to the Kotel 

 

and climb between blocks of stone, crawl inside folded

prayers, clusters of capers. Because once, I dreamt of

 

meeting my granddaughter in the holy city. 

When I arrived, I found my father with his hands 

 

wrapped around the little girl’s throat, her lips 

tinged blue, rimmed in white. Didn’t I kill you?

 

he asked me, as her body sagged, lifeless 

between his hands. No, you tore our roots

 

from the earth, called it a garden, I replied, 

my belly full of stones. Now, as my father

 

paints stripes across his cheeks, a flag held tight 

in his fist, I imagine the little girl he slaughtered

 

fleeing home. She meets her twin in the Jordan River

Valley and together, they plant pomegranate seeds

 

and olive pits in the sand. An orchard rises 

between the dunes beneath a new moon.

Aliyah Blattner (she/her) is a poet and artist from Beaverton, Oregon. She currently works with survivors of domestic violence at a non-profit in Brooklyn. Her work can be found in Yellow Arrow Magazine, Minyan Magazine, Dyke Diaries, Yafeh Zine, Rattle, and elsewhere.

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